
Lesley Shipley
Associate Professor of Art History
Credentials: | BA, University of Maryland, College Park MFA, American University MA, Bryn Mawr College PhD, Bryn Mawr College |
Associated Departments: | Art History and Studio Art, Museum and Heritage Studies |
Office: | Leggett 533 |
Phone: | 434-947-8484 |
Email: | lshipley@randolphcollege.edu |
News Headlines
- Randolph professor, student develop art reinstallation proposal for the Maier
- Shipley co-edits book on art activism, Gauthier contributes chapter
- Randolph professors granted tenure
- Berlind Symposium to explore the art and activism of Faith Ringgold, Aminah Robinson
- Randolph students create class zine for art history course
- Outdoor installation brings ‘craft-bombing’ to the Maier
- Kehinde Wiley sculpture featured in Maier’s latest exhibit
- Students highlighting female artists through new social media project
- Shipley earns ‘Commissioner’s Choice’ award for segment on NPR’s Academic Minute
- Shipley’s essay accepted for publication in Routledge Companion to African American Art History
My research and teaching interests are in modern and contemporary art, with an emphasis on identity, feminism, activism, and abstraction in art since 1960. Currently, I am completing an article that examines the intersection of ethics and aesthetics in two installations by the contemporary Colombian artist Doris Salcedo. I’m also finalizing a paper on a series of reliefs by the American artist Lee Bontecou. I have presented my research at the Feminist Art History Conference, the Annual Conference of the College Art Association, the Asians in the Americas Conference, and the Association of Art Historians Annual Conference in Norwich, England.
At Randolph, I teach 19th-century European Art, Modern European Art, American Art and Architecture, and the second half of the survey of Western Art. Special topics that I plan to teach include “Race, Gender, and Sexuality in Contemporary Art”, “Art and Activism since 1960,” and “African American Art from Colonialism to the Present”.
I try to make the course material relevant to students and encourage them to develop their own perspectives on the subjects we investigate together. My approach to teaching stems from my belief in the power of students’ voices to co-construct the learning experience within the college classroom. This commitment to integrating student voice in the classroom closely aligns with my scholarly interests in issues of identity. I also have a graduate degree in fine arts and this training has furthered my commitment to keeping the work of art central to the study of art history. All of my courses take advantage of the resources at the Maier Museum of Art at Randolph College. The Maier’s outstanding collection and exhibitions make Randolph College an exceptional institution at which to study (and to teach!) the history of art.
When students complete my courses, I hope they are more confident in their abilities to ask important questions that are meaningful to them, to think and read critically and carefully, and to listen and look with a more open mind than when they arrived. These skills are relevant to all of the disciplines that they encounter in a liberal arts education and support a life-long love of learning. When I’m not teaching or writing, I enjoy painting and drawing, running, reading the New Yorker and cookbooks, traveling, and spending time with my family.